Angklung bandung

history of angklung

In ancient times, instrument Angklung is an instrument which has the function of religious ritual. The main function is as a media angklung Invitor Dewi Sri (the goddess of rice / fertility) to descend to earth and give fertility in the growing season. Angklung used berlaraskan tritonik (three tones), tonic tetra (four tones) tonics and Penta (five tones). Angklung this type are often referred to by the term angklung Buhun which means "old Angklung" are not influenced from the outside elements. Until today in some villages still found a variety of activities which utilize angklung Buhun ceremony, among them: the harvest feast, ngaseuk pare, nginebkeun pare, pare ngampihkeun, seren epidemic, nadran, helaran, down earth, earth, etc. charity.
Angklung Traditional
Angklung Baduy

It is not known from where the origin Baduy Angklung Angklung and since when did this type began to emerge. Its distribution is not too large. This is expected because the shape of her show a monotonous and boring for those who see it. In Badui people Jero, Angklung Baduy used as the arts that support the traditional ceremony honoring Sang Hyang Sri Asri or goddess as a goddess of agriculture and fertility. The ceremony is known by the name ngaseuk pare, which is executed when the ceremonial planting of rice in the fields, and pare ngampihkeun ceremony, which is when transporting rice harvest to the barn.

Angklung Baduy consists of four rack, each of which is called a king-king, indo, panempas, and gong-gong. Dog-dog and the drum serves as an accompaniment rhythm and tempo rhythm track. The players wore black or white shucks, lomar, and iket. Number of players reached fifteen men, comprised of nine people who play the Angklung, three drum players, and the others acted as a dancer.

In the game, Angklung and dog-dog accompany their singing and dancing (ngalagu jeung ngalage). Chants performed by bersahut-replication, while dancing, and moving around. Songs played among others, entitled Swing-swing, Aunt Lenjang, Cik Arileu, Hiah-hiah Long, Jari Gandang, Keupat Rendang, Lili-Liyang, Nganteh, Ngaseh, Oray-orayan, Pong-groups, Salaela, Yandi Bibi armpit-armpit, and Pileuleuyan.
Angklung Beans

Angklung Bean first made by Mr. Bonce in the year 1795 in Kampung Cipurut, Village Baros, Arjasari, Bandung. Tell, Mr. Bonce the day-to-day work as pembubu fish in the river, a river where he found the time to save Bubu overflow flooded. The flood sweep over some bamboo sticks and then he brought home and stored on the stove. Once dry, the bamboo was pounded and turned out to produce sound good and loud. The bamboo is then processed and made an instrument Angklung music. Angklung Angklung is then called Beans. Pak Bonce create seven sets of Angklung Beans are then sold to Aki Dartiam. By Aki Dartiam, Angklung-angklung are then combined with dog-dog and trumpet.

Beans Angklung played as an art that accompanied the ceremony - the ceremony of the people or events that involved many people, including ceremonies nginebkeun bitter melon or transporting rice from the fields to the house, ceremony or parade heleran accompany circumcision circumcised children from home to home Bengkong (pengkhitan ), a wedding, and in welcoming national holidays.
Angklung Gubrag

In ancient times, Kampung Cipining, Bogor, threatened by famine due to crop rice in the fields that do not grow well. Residents believe that the incident occurred as a result of anger Dewi Sri, who was depressed because of less get entertainment, or being angry with the population. Population is also believed that Goddess Sri dwells in space and then made great efforts to invite back Dewi Sri to come down to earth and gave his blessing for the fertility of rice plant population. Several attempts were made, among which is to provide alms offerings, organized arts events such as the flute performances, performances Karinding, and others.

But those efforts did not bring results. Dewi Sri still not acceptable down to earth, and the rice plant population still does not grow well. Finally, arose then a young man named Mukhtar. He invites his friends to go to Mount Cirangsad to cut down bamboo trees letters. Bamboo is then dried and while doing dead Geni for forty days, Mukhtar processing bamboo into waditra Angklung. Angklung is then enhanced with added two-dog dog lojor. He teaches the game Angklung kemudin to residents and organize a ceremony to Dewi Sri, using the arts as a medium Angklung. It turned out after the ceremony, the population of rice plants grow well, fertile, and the grains were so pithy.

It is believed as a sign that the Goddess Sri has received the ceremony, down to earth and willing to give a blessing of fertility. Because it was able to lure Angklung Dewi Sri, to descend from the sky (in Sundanese Ngagubrag), is then called Angklung Angklung Gubrag. Angklung Gubrag played at the ceremony seren epidemic, namely the ceremony besarbesaran at the end of the harvest. Moreover, Angklung Gubrag also played at the family celebration ceremonies, events, holidays, national holidays and other events related to and involving many people.
Angklung Bungko

Angklung Bungko Bungko located in the Village which is located on the border between Cirebon and Indramayu. Angklung Bungko first believed to have made more than 600 years old. Even so, the first Bungko Angklung is still there, stored properly, even when not pitched longer. This first Bungko Angklung always included in every performance Bungko Angklung art performances such as its official symbol. Angklung Bungko preserved by a figure named Sheikh society or Ki Gede Bungko Bentong, after use as the arts that accompany Bungko Village residents fight pirate attacks. By Ki Gede Bungko, Angklung Bungko then used as the arts that support the spread of Islam. In addition to these types of Angklung, there are many more other types Angklung spread in almost all corners of the West Java area. Angklung Jinjing noted there is often played in the entertainment events, there is no vocal arts in the region Angklung Baduy, with lyrics Angklung art form in the region susualan Panamping, Sered Angklung art in the form of Tasikmalaya district race waditra Angklung play for children, and etc.

One of the efforts of conservation and development of arts Angklung have traditionally been done by Udjo Ngalagena through training programs arts Angklung traditional studio art Saung Angklungnya, where each - each trainee is required to learn and master the first Angklung traditional before moving into training Angklung modern or artistic Sunda other which has been modified.
Modern Angklung (Padaeng)

In 1938, Daeng, a teacher Hollandsch Inlandsche School (HIS) in Kuningan regency, West Java, are considered to have succeeded very well put back angklung position in the middle of the modernization of society by performing Angklung musical instruments from simple tools and just scale scales pentatonic scale into complex Angklung diatonic scales. Angklung is then known by the name of Angklung Daeng or also called Angklung Padaeng. Angklung Daeng, seen from the layout and scale the ladder to play the tone, it is possible to reach the popular song repertoire, repertory, not only contained in the repertoire of national music, but also other Western music.

Daeng since childhood is very fond angklung. At the time teaching at HIS Brass, learn the ins and outs of Angklung Daeng in more depth, including the process of manufacture and maintenance of a character named Mr. Maker angklung Djaja. Daeng which is currently still studying in Kweekschool studied Western music, and then try to make Angklung who take the stairs tone diatonic scale. Daeng considers Angklung scale diatonic tend to be more communicative to be taught in schools. In addition, the public has become more familiar with scales scales diatonic than the scale ladder pentatonic melodies.

With the help of Mr. Djaja, Daeng successfully created a set of Angklung diatonic which was first introduced to children Scouts where Daeng itself acts as a builder. Musical instruments are then quickly accepted into the art facilities in Pramukanya group life, especially in the scouting meetings and camp. Meanwhile, Angklung Padaeng at Drogheda began to be recognized widely in various circles. In 1946 the arts group Angklung Daeng trusted skill demonstration on entertainment events in Negotiations Linggar Teak. In 1950, Daeng moved to Bandung and teaching at SMP 2 Bandung. While in Bandung also, Angklung Daeng develop given the honor of diatonic and displays them in art events in the Asian-African Conference in 1955.

Differences with traditional Angklung Angklung Daeng, except in scale scales, also present in how to play. Angklung Angklung is a traditional jointly played by one player only, while Angklung Daeng is made to be played together, where each player plays only one note only, and harmony can be achieved with kerjasana song that neatly between the players. As a teacher, Daeng see it as something positive for education, especially in the educational formation of character. Appear in the game Angklung properties work together, discipline, precision, skill and sense of responsibility. Similarly, on matters which are basic staple in music education, such as raising attention to the music, turn on music and develop musicality, melody, rhythm and harmony.

Daeng Sutigna not only succeeded in enriching the treasury instrument Angklung, which previously only berlaraskan gamut of traditional (pentatonic), to be added by Angklung berlaraskan diatonic chromatic scale, but Mr Daeng is also very instrumental in the development of a tool of modern music, including melody area of 3 ½ octaves, is equipped with a chord or akompanyemen Angklung (big and small), to accompany these Angklung music instrument.

Angklung melodies have a number for each angklung, which will be converted to a certain tone, according to the basic tone is used. While angklung accompanist / akompanyemen already have a fixed chord, and will not change despite the song being played to have different basic tones. Broadly speaking, the division of Angklung Padaeng is as given below:
Trend Angklung in Indonesia
A Miracle Angklung

Another thing is to develop meaningful values in art education sound like:

* Generating interest in music.
* Turning on musicality.
* Develop sense of rhythm, melody, harmony, and others.
* Another thing that is no less important are:
* The development of intelligence.
* Creativity, discipline.
* Support the distribution of emotions, expressions for happiness in playing music.
* As well as train the coordination of body movements when the music DaLA order neural psychomotor development.
* Even today, in some medical centers have found research that angklung can be therapeutic as disclosed above regarding neurological psychomotor development.
* Further, through the traditional arts are expected to stimulate the ideals and interests of young generation towards the existence of Sundanese traditional arts and environmental conservation.

This is according to our language, is "A Miracle Angklung".
Angklung & Character Building

Angklung of the many charms and charm, has another good side effect is also due to some real benefits are: Through the arts angklung, expected to be able to cultivate good values contained therein, especially in the character-Building, such as:

Cooperation, Mutual Assistance, Discipline, Diligence, Savviness, Responsibility and others.
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Ancient Settlements Kete complex

want to see the original settlement came to Kete Toraja trouble. More than 400 years old. That said, the conditions remain as 400 years ago. Kete is a complex difficulties tongkonan (Toraja traditional houses) of the most popular and most beautiful in Toraja.

Object Location
Difficulties lies in the village of Kete Bonoran, Village Tikunna Malenong, District Sanggalangi, Tana Toraja, South Sulawesi, Indonesia. Located about four kilometers south of Rantepao, or 14 kilometers north of Makale.

Overview
As tourist attractions, Kete trouble quite complete, especially for those who want to take pictures of traditional communal life of Toraja people. Kete difficulties is an area where some tongkonan stood in a row, complete with barns (Imperata sura), the area's funeral (rante), and the customary meeting place.

Tongkonan-tongkonan was complete with various ornaments, such as carved Toraja buffalo horn arranged in advance. As more and more high-arranged horn indicating higher degrees of social inhabitants. Inside the complex there is also a museum of Kete trouble holding many ancient artefacts.

While the difficulties surrounding the complex Kete there liang (traditional burial ground) in the form of holes in the rock. There is also a beautiful panorama of rice fields extend. Kete trouble with it all is a central hub where people live, determine the institution, through life, and meet various needs.

Tongkonan is erected by Puang Ri difficulties and inherited from generation to generation to kekerabatannya. Ri Puang derivatives difficulties still alive today. Complex it becomes the cultural preservation, still used as a venue for traditional activities but not livable. Kete trouble is a portrait of megalithic culture in Tana Toraja is the most complete.

Various souvenirs peddled tongkonan residents around the complex. There are trays, coasters, bracelets, necklaces, statues, wall hangings, and paintings. Overall Toraja carvings patterned their handiwork. Coasters sold at Rp 1,000, Rp 20,000 to Rp 25,000 trays, while a painting that could be carved out millions of dollars.

Access
From the direction of Rantepao, visitors turn into the lane as far as three miles that can be passed two vehicles. Could be by private vehicles or transport facilities of the hotel

.

Sign
To get in trouble Kete, visitors subject to tariffs of Rp 5,000 per person as a contribution towards maintenance costs. the adventure/ancient-settlements-kete-complex/culture/tradition/indonesian

Megalith A Unique of Village

Megalith A Unique of Village

STONE-stone towered up as high as 7-8 meters in the field. That is the work of human sculpture called megaliths or menhirs. Toraja people call simbuang stone. The location is called rante (funeral place).

Object Location
Kampong famous megaliths were Bori and Karasik. Bori is located about five kilometers north of Rantepao. While Karasik is located just one kilometer south of Rantepao, Tana Toraja, South Sulawesi, Indonesia.

General description
The main tourist objects in Bori is Rante Kalimbuang. There are 102 or menhir megalith standing grandly in the middle of the field. Consisting of 24 pieces megalith large, 24 medium-size fruit megalith, megaliths and 54 small sized fruit.

Toraja people will only develop when a dead menhirs are traditional leaders or respectable. The ceremony is called rapasan sapurandanan, the highest death rituals in the traditional strata in Toraja. At the ceremony rapasan sapurandan, the number of buffaloes which was sacrificed at least 24 individuals.

In 1657, at the funeral ceremony held Rante Kalimbuang Ne 'Ramba. Two of the megaliths was established and as many as 100 buffaloes were sacrificed. Year 1807 held a funeral for a bigger Tonapa Ne 'Padda. Megalith five established and 200 buffaloes were sacrificed.

Furthermore, the megaliths continue established since 1907 to reach 102 the number of megaliths fruit. Ritual of the last death in Rante Kalimbuang held in 1962 for the funeral mengiring Sa'pang (Ne 'Lai). The whole ceremony in Rante Kalimbuang ceremony for the dead person is respected.

While in Karasik, there are only 12 pieces megaliths were visible. There are still tens of megaliths that are embedded in the ground. This location is called Rante Karasik is only used as a burial place of nobles from Tongkonan Kamiri, Buntu Pune. Rante Karasik into use early-19th century by maramba Pong Solo for the ritual signs.

What makes is different from the ward Karassik other megalith is the artwork that was there. There are a few homes painted colorful bamboo, lined the ceremony location. There is also no souvenir sellers.

Access
Bori can be reached from Rantepao by private vehicle or rental car facilities and hotel delivery. While Karasik, because of its location so close to Rantepao, can be reached by public transportation. Furthermore, tourists need only walk a few meters.

Sign Tariff
To enter into this tourist complex of two tourist complexes subject to tariffs of Rp 5,000 as a contribution towards maintenance.






the adventure,megalith,unique,of-village,stone,culture,radition,sulawesi,indonesian

Rock Tombs Lemo

Lemo cemetery is a place shaped holes in the wall rocks. This place is the result of human creations exceptional Toraja. Has existed since the 16th century. Made by chiseling. At that time, of course with the equipment it is.

Location of Object
Lemo is located in the village (valley) Lemo. Approximately 12 kilometers south of Rantepao or six kilometers north of Makale.

General description
Lemo named because some models of the round hole of the stone, freckled like oranges or lemons. Stone graves were also called liang During his'.

There are 75 holes in the wall rocks. Some of them have statues lined up so-called tau-tau. The statues are a symbol of social position, status, and their role during the life as a local nobleman.

These objects visited since 1960. Besides watching the grave stone, tourists can also buy various souvenirs or walking path around the object Pangi who witnessed the fruit ripened fruit brown. The fruit is ready to be processed and consumed as a food typical Toraja tribe that called pantollo pamarrasan.

Access
Lemo can be accessed from Rantepao and Makale with private vehicles, public transport (petepete), or transportation facilities of the hotel.

Fare
To enter the location of this site, visitors are charged Rp 5,000 as a contribution towards maintenance.

http://www.enjoysulawesi.com the adventure/rock-tombs-lemo/stone/culture/tradition/sulawesi/indonesian

Londa, the Cemetery on the Wall Rocks

LONDA burial caves are hundreds of years old. Shows the megalithic culture characterized by the use of rocks. Toraja people able to sculpt the rock resembles a form of house and decorated it with statues called tautau.

Object Location
Londa tourist attraction located in the village of Sandan UAI, District Sanggalangi, Tana Toraja, South Sulawesi, Indonesia. Approximately 7 miles south of Rantepao, or 11 kilometers north of the town Makale.

Overview
Once upon a time, Londa is the funeral of prominent people in Toraja. Not just anyone can be buried there. The bodies of the princes were placed in a coffin-shaped box by the local animal called erong. Once the parents, the bodies were now living bones.

Some erong had rotted with age. Some are damaged so that the bones of its princes can be seen that the Toraja. For each magnifying who died and was buried there made a statue (tau-tau). Face the statues had been made to resemble the face of those who died.

Tourists can get into the caves. But to find out more, tourists should hire the services of a guide (guide) who has been trained and professional. Leases typically guide services into one package with a kerosene lamp (instrument lights) so that tourists can see the atmosphere in the cave with the obvious.

This cave tombs have some kind of fortress named Tarangenge. It is located on the back of this natural cave. This object is very easy to visit because it has good road infrastructure.

Access
Londa can be accessed from Rantepao and Makale by private vehicle or transportation facilities of the hotel.

Sign Tariff
To enter the location of this site, visitors are charged Rp 5,000 per person as a contribution towards maintenance. While for the tourist guide services and patromax enough to pay Rp 20,000.
http://www.enjoysulawesi.com

the adventure/londa-cemetery-on-wall-rocks/stone/culture/tradition/sulawesi/indonesian

keraton yogyakarta

keraton yogyakarta

Kraton Ngayogyakarta Hadiningrat is one of the assets owned by Indonesia, which is the heart of Javanese culture, particularly for Culture. Kraton themselves are morphologically derived from the words of Queen, which is where bersemayamnya queens.

History of the palace can not be separated from a number of myths surrounding. For example the fertility goddess myth tells the story of brothers and Raden Dwi Sri Sadhana who cursed his father King Purwacarita because they do not want to live in the palace.

In the course of its history, culture wheel Palace Ngayogyakarta Hadiningrat driven by people ranging from the highest strata, namely the sovereign, until the lowest, ie servants in the palace. The Sultan who led the palace (from Prince Mangkubumi who were in power until the lane X) is the main figures who control the cultural palace of wheels. At lower levels there are the soldiers palace which is divided into 12 unitary with different tasks and functions.

Collection of heritage objects, including golden carriage, sacred weapons, flags, and musical instruments are still stored in the palace. Kiai Kangjeng Pleret heirloom weapons in the form of a spear is considered the most sacred heritage and the highest dignity. This inheritance is believed to be closely related to the history of the founding of the kingdom of Mataram by Panembahan Senopati which is the forerunner of the kings of Java in Surakarta and Yogyakarta.

In addition there were more weapons and heritage Kangjeng Godotapan Kiai Kiai Kangjeng Godowedono (form penggada), Kangjeng Kiai teat (dagger), and Kangjeng Kiai Pengarabarab (large knife like a sword).

Musical instruments that can be seen in the palace is Kanjeng Kiai Tudhung Mungguh (cymbal), Kangjeng Kiai Simo (cymbal), Kangjeng Kiai Udanarum (cymbal), Kangjeng Kiai Meyek (drums), Kangjeng Kiai Guntursari (one unit of gamelan), Kangjeng Kiai Keboganggang (gamelan), and Kangjeng Kiai Lindhu (gamelan).

As a once glorious empire of the era, at the Palace environment Ngayogyakarta born Hadiningrat many cultural works, among them the arts of dance, shadow puppets, puppet people, and gamelan. Two dances are still frequently performed in the palace is a dance and dance Bedoyo Serimpi.

Yogyakarta Palace with an area of 1.3 km2, a typology is still associated with the physical layout palace-palace in Java. Arstitektur building is divided into seven sections according to the assumption that inherited from the Hindu religion, that the number seven is a perfect number. Also in accordance with the principles of Javanese cosmology is that the world is divided into three layers, namely the "world above" bersemayamnya place of the gods, "middle world" where humans, and the "underworld" who represent the forces of evil in nature. Then, the world's top and bottom are divided into three sections, so that the world into seven layers.

In the context of the palace buildings, seven layers of the world is embodied in the seven spatial structure that forms a unity. Environment I is the North Square to North Hinggil Siti, Environment II (Keben or North Kemandungan), Environment III (Sri Manganti), IV Environmental Center (Kraton), Environment V (Kemagangan), Environment VI (Kemandungan Kidul), and Lingkunagn VII (Square of the South to South Sitihinggil).

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