jaipongan

Jaipong dance's

jaipong dance is a dance that was born from the creativity of an artist from Bandung, Gugum Gumbira. He was inspired by the folk art one of them is Tilu Tap into treasury well know and recognize movement patterns that exist in traditional dance or Bajidoran Kliningan or Tap Tilu. So that he can develop a dance or art that is now known by the name Jaipongan.

DANCE HISTORY

The work Jaipongan first began to be known by the public is dance "Leaves Pulus KESER Bojong" and "Rendeng Bojong" both of which are types of dance daughters and dance in pairs (male and female). Early appearance of the dance was originally seen as a movement of erotic and vulgar, but the longer it is the more popular dance and began to increase both the frequency of her performance in the television media, celebration, and celebrations disenggelarakan by the government or by private parties.

C. DEVELOPMENT DANCING Jaipong

From dance Jaipong this nascent powerful Jaipongan some dancers like Tati Saleh, Yeti Mamat, Eli Somali, and Pepen Dedi Kirniadi. The presence Jaipongan dance has contributed greatly to the art lovers of dance to more actively explore the types of folk dances that were previously lacking in notice. With the advent of this Jaipongan dance that many are making Jaipongan dance courses, and widely used by employers to decoy invited guests.

In Subang Jaipongan style "Kaleran" has a characteristic that is fun, erotic, humorous, excitement, spontaneity, and simplicity. This was reflected in the pattern of representation of dance in the show, there is a given pattern (Ibing pattern) as in art Jaipongan in Bandung, there are also dances that are not patterned (Ibing Saka), for example in Subang Jaipongan art and Falkirk. This term can be found in Jaipongan kaleran style, especially in the area of ​​Subang.

Dance Jaipongan today can be called as one of the West Javanese dances, looks at important events arrival of guests from foreign countries who came to West Java, always welcomed with dance performances Jaipongan. Jaipongan dance this much influence on other art-art that is in West Java, both in art wayang, gamelan, and other Genjring has even collaborated with Modern dangdut by Mr. Nur and Leni to be art-Dut Pong.

TYPICAL FEATURE PRESENTATION FORM 

and

Characteristic Jaipongan kaleran style, which is fun, erotic, humorous, excitement, spontaneity and simplicity (natural / whatever they are). This was reflected in the pattern of presentation of taxis on the show, there is a given pattern (Ibing pattern) as in art Jaipongan in Bandung, there are also dances that are not patterned (Ibing Saka), for example in Subang jaipongan Arts and Falkirk. This term can be found in Jaipongan Kaleran style, especially in the area of ​​Subang. In the presentation, Jaipongan kaleran style is as follows: 1) Tatalu, 2) Develop Gadung 3) Fruit Kawung Gopar; 4) Dance Opening (Ibing Pattern), usually performed by a single dancer or Sinde Tatandakan (a Sinden but not sing but dance songs sinden / interpreter kawih); 5) Jeblokan and Jabanan, performing as part of the audience (Bajidor) sawer money (Jabanan) while greeting temple. Jeblokan term is defined as a couple who settled between sinden and the audience (Bajidor).

Further development of Jaipongan occurred in 1980-1990's, where Gugum Gumbira creating dances such as Toka-toka, Setra Sari, Sonteng, Pencug, egrets Man gut, procession firing Leaf Croton, Rawayan and Dance Kawung Anten. From taritarian appeared several dancers Jaipongan reliable among others Iceu Effendi, Yumiati Mandiri, Miming Mintarsih, Nani, Erna, Mira Tejaningrum, Ine Dinar, Ega, Nuni, CEPI, Agah, Aa Suryabrata and Intercessory Asep.

Tags:video/jaipong/dance/soendha/west java/art/culture