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Tuesday, February 28

Ngaben rituality

Ngaben rituality in bali


In general, 'cremation' in Bali can be regarded as one of the religious rituals and traditions of meaningful ritual to restore a dead human body to its origin, called Panca Maha Bhuta (five elements: earth, water, fire, wind and ether). Thus, religious rituals or traditions? Impure nor pure religious tradition, both taxable. Religious rituals because it is contained in the holy books, ritual traditions of the fact that the implementation of cremation ceremonies in Bali are filled with traditional herbs in Bali, there bade / container, there is a lion / ox, there is gender / puppets, there are certain sacred tarian2 etc.. By taking analogy cremation ceremony (cremation) in India as a Hindu religious origin, cremation in Bali is very different to the cremation in India. So I assume that cremation in Bali are the blend of tradition and religion. Ucapara cremation in India do not need crap like in Bali. And if any such cremation in Bali? Of course not. Because Hinduism is flexible where the implementation of teaching adapted to the local culture (local genius Indonesian language). That makes me throw up our enekg is when cremation ceremony in Bali has deviated from the essence of the essence, the bias is far from its original meaning and has come out of religion rails. It's still fresh in my memory as a cremation ceremony in Bali commercialized by jor-rod. Created a website, put the newspaper even announced on local television. Wrong? Of course not, it's just me so enekg. It is the right of individual
The existence of a new trend in cremation ceremony in Nusa Penida, inspiring the title of this post that may be classified as having its own Eyewitness News. Ngaben there be a kind of showcase the financial ability of the family concerned. In the village of B (full name of the village there is the editorial writer), a family that carry out the cremation ceremony of the 'eccentric' as a new motorcycle diaben join with those who died. The reason is, because he loved her and intention to buy a motorcycle has not been accomplished at the time the person was still alive. I'm really not sure if in nature there is need bikes. Again, this is not wrong. But it would be wise if the bike is used alone in this world. In the village of S, there is more to make singa2an (part of which later joined badewadah burned) of the banknote. Lions were made as usual with a bamboo frame and covered with velvet and decorated prada. Once completed, the entire body of a lion is plastered with bills 50 thousands and 100 thousands, so the lions tersebutpun require special care before being burned. The reason? Let the spirit of the deceased have a provision in the bye and bye. Wrong? Certainly not, if the spirit is to buy a plane ticket / bus to get to the bye and bye.
Up here I can only think, where in fact the essence of human culture of Bali in practicing religion? Pure as if human beings in carrying out the Bali Hindu religion? Small contoh2 of course, would not be used as a parameter to assess the overall phenomenon, but at least be able to open my eyes that still dominate the ego hal2 concerning religion. Also lack a true understanding of the essence and the basic meaning of a ritual is performed



Tag:ngaben,ritual,upacara pemakaman,culture,adat,bali,indonesia

Sunday, February 19

grebeg suro ponorogo


grebeg in ponorogo



Grebeg Suro Ponorogo event is tradition in the form of party people. Art and traditions being shown include the National Reog Festival, Parade and Carnival Heritage Hiking History and Minutes of Prayer at Telaga Larungan Ngebel
Suro Grebeg usually done once a year, precisely on 1st Muharram (1 Suro in Javanese)
Suro Grebeg series include submission heritage procession to the tomb first in Ponorogo district. Then followed a march of hundreds of people to the city center with a gig and horse riding are already decorated.
The next event will be the National Reog Festival in the town square. Dozens reog groups in East Java, from aquatic mammal, Central Java, Balikpapan, and Lampung will also enliven the event.
The origin of this event was held, starting from the customs of the people on the eve of 1 Suro who held tirakatan all night to surround the city and stopped in the square Ponorogo.
As at 1987 Regent Soebarkah Poetro Hadiwirjo see this phenomenon, and he also suggested to facilitate their activities with the activities leading to the cultural preservation.
The procedure begins with the implementation of the National Reog Festival held for 4 days with the number of participants in 51 groups with 21 and 30 Ponorogo grub from grub of Foreign Ponorgo. Of the total participants were the top 10 best and 10 the group best coach.
A day before 1 Suro held Parade and Carnival Heritage Hiking History from the old town to the town center to commemorate the transfer of the administrative center of the old town of Ponorogo regency to the town center. On the eve of 1 Suro Reog National Festival held the closing and announcement of the race and on the first 1 Suro Lrung Proceedings of Prayer held at Telaga Ngebel




GREBEG SURO

video by :www.esatjava.com
Is the biggest culture event in Ponorogo regency that held on a certain occasion of welcomed Islam New Year or Saka New Year that often known as one suro date (one of Javanese month). This agenda entered East Java tourism calendar (Calendar of event). Grebeg Suro is the ritual culture incident and became the party site of Ponorogo people. Usually it begun a week before 1 Suro.
It is the series of Grebeg Suro agenda is Reog National festival, various good activity sorts the race and the exhibition and ended with Larungan agenda in Ngebel lake. The parade of the elephant statue that consist of the musical procession and the elephant statues. Those statues have received by human kind and climbed onto by two children. This art is has influenced by Islam culture.



Tag:video,grebeg,ponorogo,culture,jawa timur,java,indonesia
tag:video,grebeg,suro,ponorogo,maulid,nabi, <data:blog.pageTitle/> <data:blog.pageName/>

Thursday, February 16

indonesian dance's culture

 indonesian dance's culture

This dance was performed on April 26, 2006 by Indonesian Students Union in France for "International Night" in Ecole Militery Paris which is followed 93 delegation countries. This dance was awarded as "The Best Performance" at that night. This video is provided to you by JAROE (Jalinan Silaturrahmi Aneuk Nanggroe di Eropa) - Aceh's youth communitiy in Europe. Website: www.jaroe.eu





video,shaman,aceh,dance,culture


Wednesday, February 15

Saturday, February 11

kecak dance


kecak dance



The Kecak Dance is an especially unique and one of the most dramatic of all Balinese dances. A combination of dance and drama, the Kecak dance depicts the Hindu epic, “Ramayana,” and tells the story of Prince Rama, who with the help of the monkey-king Hanoman defeats the evil King Rahvana to rescue his Princess Sita. Kecak also has roots in Sanghyang, a sacred ritual based on the idea that during the performance, hyangs, or spiritual entities will enter and possess the bodies of the dancers.
The dance begins just as the glowing sun slowly sets beyond the horizon at sea.  To catch this dramatic moment, the stage is placed with the temple of Tanah Lot or Uluwatu as background. A chorus of 150 men clad in checkered cloths around their waists, representing an army of monkeys, utter percussive sounds. They sit in concentric circles, leaving an open arena with an oil torch in its center.
As the sky darkens, the burning flames of the torch become the only natural lighting of this cacophonous play, creating a truly mystical atmosphere, illuminating the performers and audience alike in a haunting glow.
The circular ensemble sways rhythmically back and forth and waves their hands as the drama unfolds, yet above the chants of the swaying masses, the narrator’s voice can be heard, telling the tale. As the plot progresses, the ring of acapella percussionists enhance the performance of the lead actors in the center by acting as the armies in the battle scenes, and even unite as an enormous, twisting serpent in the performance’s final climax.A triumph of style and emotion over actual story, the Kecak dance is sure to keep every viewer captivated for every second of the show.
The story takes an episode of the great Ramayana epic. It tells about the abduction of Princess Sita by the giant Rahwana when Prince Rama and Princess Sita were wondering in the forests. Prince Rama leaves his wife to chase a golden deer. But first he draws a circle around her, which he tells her not to step out from. Rahwana sees her and through ruse succeeds to abduct her to his palace. In his search for his wife, King Rama meets the monkey king Hanoman who helps him. Hanoman’s monkey army burns Rahwana’s palace, and so the two lovers are happily reunited. 
Unlike other Balinese dances, the Kecak is not performed to the accompaniment of Gamelan, which is the Balinese “orchestra.” Instead it is enacted to the sounds of 150 or more male voices chanting “chak-achak-achak,” hence giving the dance its name.  Another unique factor is that the Kecak is also one of the only dances that was created for the sole purpose of entertaining visitors. It is hardly ever watched by the Balinese themselves.

Kecak was originally a trance ritual accompanied by a male chorus. In the 1930’s, the German painter and musician Walter Spies took a deep interest in the ritual while he was living in Bali. He then worked together with Balinese dancer Wayan Limbak to recreate it into a drama, combining themes and movements from the traditional Sanghyang exorcism rituals with portions of the Hindu epic, Ramayana. The intention was to create a dance that was both authentic to Balinese traditions, yet appealing to Western audiences.
Wayan Limbak later toured the globe with a troupe of Balinese performers, thus popularizing the dance and making it famous throughout the world.
Pura Luhur Uluwatu is one of Bali’s 9 main temples, and is one of the places you can personally witness the Kecak Dance. The temple is perched at the edge of a steep cliff, overlooking the crashing waves 70 meters below. Originally a very small temple, Pura Luhur Uluwatu was first expanded by a Javanese sage during the 11th century.
As the temple is sacred ground, one must be properly dressed before entering, as respect to the Balinese Hindus. Sarongs are available free at the entrance for women wearing clothing that does not cover their knees. Visitors to the temple can feel free to roam about and explore the temple grounds, but the central courtyard can only be entered during special rituals.
The Kecak dance is performed at the temple every evening at 6:00 p.m. in an open-air arena  to the backdrop of the ember sky, as the glowing red sun sinks beneath the horizon. Tickets to the dance can be purchased for approximately IDR 75,000. Visitors should note that during high season, tickets are often sold out and should be booked a few days in advance.
Pura Luhur Uluwatu is located on the island of Bali, about 45 minutes from Nusa Dua, or 1 hour 15 minutes from Kuta or Tuban area.






tags: Tags:video,kecak,bali,tradition,culture


Thursday, February 9

TANGGAI DANCE'S

TANGGAI DANCE'S  from Sout sumatera

Dance is a dance tradition that evolved from generation to generation and still exists to this day, has Fakem and is a hallmark of the region itself.
In the V century (1920) in the days of Hindu, Dance Tanggai used for offerings to the gods Brahmin, Vishnu, and Shiva, which is dedicated or towing by women with an odd number, especially Tanggai Dance in honor of the Sahyang dedicate widi or Lord Shiva which is considered as the god fuser.
Homage to the gods by making offerings movements Mudra (the approach almighty).
Dance is a dance wear tanggai Tanggai with emphasis kelentikan fingers symbolizing love. By Hindus is very honored, especially the finger Mahendi (carvings on hand)
Tanggai made of pure 22 carat gold in the form of nails manicured.
Century 20 (1920) Dutch Period, habitat in Indonesia is a form of empire.
Century 17 (1600) established the Dutch era Palembang Darussalam Sultanate, girl age seclusion. Sultannya forbid Girls / Women dancing, so the whole show is played by men. Demat, Pesirah, Depati Title is the name given by the Dutch, and the Dutch are interested in taking dance tanggai
1920 in South Sumatra and dance using Tanggai Foreword that serves as Dance Dance Welcomes which called tepak.

Switch to the Age of Japan.
1945 should not be displayed tanggai dance, dance created gending Sriwijaya.
Stylists Daughter Dance is Resident of Palembang on Demand Japanese Rozak Sukainah create Gending Sriwijaya Dance.
Sriwijaya Gending poem created by Nungcik AR, and Music Gending Sriwijaya created by Dahlan Mahibat.
PKI uprising in 1965 and the creator of the poem Nung Cik AR allegedly a member of the Communist Party until Nungcik AR arrested, and Dance Gending Sriwijaya when it should not be displayed.
But many distinguished guests, and state officials who came to Palembang, and no dance reception to welcome the guests that come, the mother Elly Rudi (dance tanggai) and mother Ana Kumari (slap dance palace) raised the and arrange movements with dance moves that have been there before, to honor guests who are coming to Palembang, and his dance choreography, so there were a high aesthetic dance.
Music Blash, Tanjidor is used in the Dance Music Tanggai in ancient times.
Dance Tanggai and Rasan Tuo (matchmaking) dances to accompany the Bride.
Tepak dance palace (using tanggai and tepak), symbol of expression Friendship to honor distinguished guests, at the time of the Netherlands, with a Foreword offerings. Being Dance Tradition in South Sumatra.
But the dance is evolving into their respective areas in South Sumatra with its own version of the dance names but still use tanggai and costumes early.






Location: Downstairs Banquet Hall, Holland College Tourism and Culinary Institute, 4 Sydney Street, Charlottetown, PE, CANADA.


This fundraising night is presented by CANADA WORLD YOUTH & INDONESIAN STATE MINISTRY FOR YOUTH AND SPORTS AFFAIRS






Tags: Tag:video,tanggai,dance,southsumatera,culture,art,Indonesia


Wednesday, February 8

beatiful of kuda kepang

kuda kepang

Initially, according to history, the art of "Kuda Kepang" was born as a symbol that people also have the ability (superiority) in the face of the enemy or against the power elite who have the royal army. In addition, also as a medium for presenting entertainment that cheap but the phenomenal to the people at large.
Above is one of the stanza tune of "dangdut Rhoma's" Rhythm of the game that inspired folk art, dance "horse braid", which is still grown in many communities in the archipelago.
Traditional dances that are played on a "no pattern" by the common people has been born and liked the community, especially in Java, since the ancient kingdoms doeloe tempo.
Now, the art "Kuda Kepang" still be a show that is enough to make the hearts of the audience captivated. Although the existence of these cultural relics began to compete strictly by the entry of foreign art and culture to their homeland, the dance still showed high attraction. Until now, we do not know who or where that sparked community groups (creating) "Horse braid" was first. In fact, art "Kuda Kepang" found in many areas and each recognizes the arts as one of their traditional culture. Including, pointed out some time ago, recognized also by the people of Johor in Malaysia as its own in addition to Reog Ponorogo. The phenomenon spread of the art of "Kuda Kepang" in various places, with various and pattern, can be an indicator that the art culture that seemed full of magic is back "on the rise" as a cultural art which should be noted as an original Indonesian art.
Whipped, Eat glass (broken glass / mirrors / cups / plates etc) and sprinkles of Fire
I do not know what can make the players is like a man possessed. Judging from the way his game, the dancers like lumping horse has tremendous power, even seem to have supernatural powers. Art of dance that uses a fake horse made of woven bamboo and accompanied by gamelan music such as gongs, kenong, percussion and trumpet it, was able to make the audience impressed by any attractions penunggan (dancer) "The horse braid". Remarkably, dancers horse "horse braid" of the original traditional generally played by girls who dress like a soldier boy kingdom. Currently, players "Kuda Lumping" more acted by boys.
The sound of a prod (whip) of the players who deliberately imposed this art, became the beginning of the game and the entry of a mystical power that can eliminate the consciousness-players. With the climb of woven bamboo horses, horse rider who was given his ankles began to rattle this prancing, jumping up rolling on the ground. In addition to jumping, horse dancers did lumping other attractions, like eating glass and peel the coconut with his teeth. Glass (glass) that is eaten is the usual light bulb as the lights of our homes. He avidly ate like a shard of people starving, do not wince in pain and no blood at the time he ate the glass-shard.
When viewed from the overall game lumping horse, sound prod endless series of attractions that appear to dominate. Presumably, any prod by sipenunggang against itself, which is on foot or other body parts, will give a magical effect. That is, when the crack length of woven rattan and on the feet and swung his body, the dancer lumping horse will feel stronger, more powerful, more Digdaya. Generally, in that condition, he will increasingly wild and the power of doing things and not abstruse absurd healthy normal humans.
Lively and festive games lumping horse becomes more complete with a display of flame attraction. Bursts of fire coming out of the mouths of the other players, beginning with gasoline accommodate in their mouth and then sprayed on a fire that burns in a small sprig of iron which ends made in such a manner so that fire does not die before and after petrol was sprayed from his mouth. In lumping horse game, another meaning that is contained is the color. The colors are very dominant in this permaian namely: red, white and black. The red color symbolizes the courage and spirit. The white color symbolizes purity which is in the heart is also thought to reflect on all five senses so that it can serve as a role model in black.
As an attraction full of mystical and dangerous, dance "horse braid" done under the supervision of a "supernatural leadership." Usually, this leader is a person who has a high unseen which can restore the dancer back to consciousness as usual. He is also responsible for the way of attractions, as well as heal pain experienced by the players lumping horse if something undesirable and cause illness or injury to the dancer. Therefore, although regarded as a folk game, "horse braid" can not be played by just anyone, but must be under the direction and supervision of the leadership.
Need to Keep Maintained and Developed
Broadly speaking, so much art and culture in Indonesia familial inherited from ancestors of Indonesia until the current generation. Now, we as a successor to the nation is the heir of the art of traditional culture as they must keep and maintain it properly. Our task is to maintain and develop it, so from day to day is not vanished and disappeared from the artistic treasures of our society.
One thing we must be aware that Indonesia is still colonized until now with the influx of foreign culture that tries to get rid of local cultures. Therefore, we as the future generation rose up together to bring back culture since ancient extinct there and not to swallow the modern age. To that end, the Government and the community is expected to continually exploring what cultural back until now hardly heard from again, to then re-developed and preserved cultural values of Indonesia.

video kuda kepang performance by sri ulan from indonesia tags: video/kudakepang/java/tradition/culture